
I roam the streets of Serbia with a laptop
showing different flash animations,
convince some people (without the benefit of language) to help me find, make props, and re-enact the animations in real, and then roam the streets with them looking for hotspots to find other flash animations, which we all then convince others to help us with, in a sort of hiptarded chain reaction.
We film the convoluted process as well as the actual remake, and display it as a triptych: (1)original flash animation, (2)re-animated live-action, and (3) wider edit showing the process.